Writing Tip Number 1 is more of a disclaimer. Since this blog is dedicated to the process of writing, and I'll be filling the entries with my own writing style, techniques and knowledge, I want to begin with a few words about the rules of writing.
There are none.
There are rules of grammar, of course. End sentence with a period or other punctuation mark.
There are formatting rules. Set margins to one inch all the way around the page, indent paragraphs, don't use extra spaces between paragraphs. That sort of thing. I'll have a post regarding proper formatting later on.
But there are no rules for writing.
Fiction writing is a creative process that depends on many factors. To write well, one must blend the technical with the artistic. Our voice, our style, and our stories must merge into a fascinating novel that will capture the attentions of our audience. Rules, as we've come to know them, only serve to drown the all-important artistic ingredient.
So, what are these rules?
If you have no idea I'm talking about, please, please, please, do NOT read the rest of this entry. I don't want to be responsible for putting these rules into heads that aren't yet familiar with them. But, if you're like me and you've been inundated with 'the rules' since you entered the topsy-turvy world of the romance novelist... read on.
Rule #1 : You can only have two Points of View : Hero and Heroine. Maybe the Villian, but you better have a damn good reason.
Response: Bunk. Bunk. Bunk, bunk, bunk, bunk, bunk. Keep in mind I'm a "Single Title" author, so I have more words and pages to play with than a category author, so this may be a publisher's guideline for certain lines, like the Harlequin Series books. I can't speak to that, because I've never submitted anything to Harlequin, nor have I ever spoken with their editors or followed their series books. However, when speaking to the single title romance, you can have as many point-of-view characters as your story calls for! I once read a book where one short scene was in a sub-characters point-of-view, and it was the only scene in his point-of-view in the entire book. But it gave insight to that character that the author believed was needed. I was happy to read it. It entertained me as much as the rest of the book.
Rule #2 : No Passive Voice.
Response: Okay, this one isn't ALL bad. It's the "NO" that I have issues with. Certainly, the active voice in writing is more emotional, more ... well ... active. It draws the reader into the story better. But absolutely nothing is absolute. Passive voice is a part of our language, therefore, eliminating it entirely from a manuscript can weary the reader. Passive voice, used correctly, is perfectly okay ... and here's the kicker ... in moderation.
Rule #3 : Eliminate 'THAT'
Response: The problem with this rule is that it isn't even a grammar rule. Listen to how we talk to each other. We use 'that' in sentences all of the time. There is nothing wrong with it. Strunk and White, as well as Stephen King, mention in their writing books that superflous words have no place in books. Just like this blog is full of my opinions, so are their books. It's their opinion. If you agree with it, great. But the hard and fast rule regarding 'that' is one of the writer's voice. If you write a sentence that includes 'that' and it sounds good to you ... keep it. Don't let well-meaning crit partners remove them. You might be making extra work for yourself if your editor puts them back in, like mine did. (The first 'official' writing tips post will concern this very issue)
Rule #4 : "Was" is a four letter ... errr... three letter word.
Response : Was is not bad. Was is a part of the English language. Certainly, if one can find a more powerful verb to use in its place, go for it. I do. But if the sentence calls for 'WAS', don't be afraid to use it.
These are just a few of the "rules" I've come across. There are plenty more.
So, it's your turn. What are some of the rules you've found? Do you have questions concerning these rules? Opinions? Shout it out!
Peace,
Marjorie